This press kit contains all the material seen in this section: the poster at various resolutions, the press release, and the still frames with captions and credits. Please properly credit all images used.
Frames from the flat screen video (select for high-resolution)
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A frame from the title sequence of Losing the Dark. CREDIT: Loch Ness Productions.
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A frame from a time-lapse sequence in Losing the Dark showing sunset in the wilderness. Shot by Mark C. Petersen. CREDIT: Loch Ness Productions.
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A still frame from a sequence in Losing the Dark showing light pollution's effect on the wilderness. Shot by Thomas O'Brien, TMOPhoto.com and used by permission. CREDIT: Loch Ness Productions/TMOPhoto.
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A still frame from Losing the Dark showing the glow of traffic and city lights in Chicago. This timelapse sequence was shot by Matt Mascheri, Dome3D. CREDIT: Loch Ness Productions/Dome3D.
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A still frame from Losing the Dark illustrating the glow of traffic and city lights in Chicago. This timelapse sequence was shot by Matt Mascheri, Dome3D. CREDIT: Loch Ness Productions/Dome3D.
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A still frame from Losing the Dark showing the glow of traffic and city lights in Chicago. This timelapse sequence was shot by Matt Mascheri, Dome3D. CREDIT: Loch Ness Productions/Dome3D.
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A still frame from Losing the Dark illustrating the glow of traffic and city lights in Chicago and how they affect pedestrians. This timelapse sequence was shot by Matt Mascheri, Dome3D. CREDIT: Loch Ness Productions/Dome3D.
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A still frame from Losing the Dark showing an ISS flyover. The sequence was created using DigitalSky2 from Sky-Skan. This animation depicts the flyover pass captured in the NASA video shown in the next scene. CREDIT: Loch Ness Productions/Sky-Skan.
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A still frame from Losing the Dark compositing a NASA ISS flyover of the Great Lakes region, prominently focused on Chicago. It illustrates how the skyglows from Earth's surface are easily visible from space. CREDIT: NASA.
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A still frame from Losing the Dark showing birds flocking toward lights and brightly lit buildings. Created from artwork supplied by Adler Planetarium and CG animation by Dome3D. CREDIT: Loch Ness Productions/Dome3D.
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A still frame from Losing the Dark showing how sea turtles can become disoriented by artificial lights and lured away from the safety of their ocean habitat. CREDIT: Loch Ness Productions/ Gregory Panayotou, 360Cities.net/Dome3D.
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A still frame from Losing the Dark illustrating the glow of traffic and city lights in Chicago and how they affect pedestrians. This was shot by Matt Mascheri, Dome3D. CREDIT: Loch Ness Productions/Dome3D.
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A still frame from Losing the Dark illustrating the glow of Chicago's city lights, explaining how light at night disrupts people's sleep rhythms. This was shot by Matt Mascheri, Dome3D. CREDIT: Loch Ness Productions/Dome3D.
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A still frame from Losing the Dark illustrating the glow of Chicago's city lights, explaining how light at night disrupts people's sleep rhythms. This was shot by Matt Mascheri, Dome3D. CREDIT: Loch Ness Productions/Dome3D.
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A still frame from Losing the Dark illustrating skyglow over Phoenix, Arizona. Shot by Carolyn Collins Petersen, composited with stars generated by DigitalSky2 from Sky-Skan. CREDIT: Loch Ness Productions.
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A still frame from Losing the Dark illustrating what the skies might look like over Phoenix, Arizona if much of the light pollution could be removed. Shot by Carolyn Collins Petersen, composited with stars generated by DigitalSky2 from Sky-Skan. CREDIT: Loch Ness Productions.
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A still frame from Losing the Dark showing Gemini Observatory and dark skies in a timelapse sequence. Courtesy Gemini Obervatory. CREDIT: Loch Ness Productions/Gemini Observatory.
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This still frame from Losing the Dark features photographer Babak Tafreshi's view of the brightly lit Khalifa Tower in Dubai, United Arab Emirates. Used by permission. CREDIT: Loch Ness Productions/Babak Tafreshi/TWAN.
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A still frame from Losing the Dark metaphorically illustrating the power required to illuminate a single 100-watt light bulb. CREDIT: Loch Ness Productions.
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A still frame from Losing the Dark showing a coal train, metaphorically illustrating the amount of fuel needed to keep many 100-watt light bulbs lit for a year. Shot by Mark C. Petersen. CREDIT: Loch Ness Productions.
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A still frame from Losing the Dark from a time-lapse sequence of Chicago at night shot by Matt Mascheri, Dome3D. CREDIT: Loch Ness Productions/Dome3D.
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A still frame from Losing the Dark illustrating the effect that unshielded lights have on the sky. Art based on the Light Pollution Simulator at the Need-Less Campaign by Don Nixon. CREDIT: Loch Ness Productions.
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A still frame from Losing the Dark illustrating the effect that using fully shielded lights can have on the sky. Art based on the Light Pollution Simulator at the Need-Less Campaign by Don Nixon. CREDIT: Loch Ness Productions.
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A still frame from Losing the Dark illustrating the effect that using fully shielded lights and turning off unnecessary lights have on the sky. Art based on the Light Pollution Simulator at the Need-Less Campaign by Don Nixon. CREDIT: Loch Ness Productions.
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A still frame from closing sequence in Losing the Dark showing a brightly lit North America, set against a backdrop of the Milky Way. This image was created using DigitalSky2 from Sky-Skan, Inc. CREDIT: Loch Ness Productions/Sky-Skan.
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A still frame from closing sequence in Losing the Dark with production credits superimposed over a brightly lit North America. This image was created using DigitalSky2 from Sky-Skan, Inc. CREDIT: Loch Ness Productions/Sky-Skan.
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A still frame from closing sequence in Losing the Dark with the International Dark-Sky Association logo superimposed over a brightly lit North America. This image was created using DigitalSky2 from Sky-Skan, Inc. CREDIT: Loch Ness Productions/Sky-Skan.
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