Loch Ness Productions features the cosmically creative talents of Mark and Carolyn Collins Petersen.
Mark began the company in 1977. He was then the Composer-in-Residence at the University of Colorado's Fiske Planetarium. Many pleased planetarium patrons came up to the console after the shows, asking where they could obtain the music they had heard during the programs. Since it was original music composed just for the shows, Mark noted the most-requested selections, and released the first Geodesium album. The succeeding decades saw fifteen more albums released, and a production music library.
Over the years, other multimedia production materials were added to the catalog. Production of planetarium show packages began in 1980. Many were scripted by Carolyn, an award-winning science writer specializing in astronomy and space science. Eventually more than a dozen shows in classic slide and fulldome video formats were distributed to hundreds of dome theaters worldwide. Many are still shown today; dome theaters can license them from various reseller partners.
Loch Ness Productions has counted more than 2,500 customers in the U.S. and over 68 other countries who purchased or licensed these works.
In 2025 — after 48 fulfilling years — the Petersens announced their retirement from Loch Ness Productions. But their lifetime of works live on. Mark's music and Carolyn's writing are still readily available, from the usual online sources.
Mark C. Petersen is president and founder of Loch Ness Productions.
Mark is a long-time producer of fulldome and classic planetarium shows, broadcast and online videos, with more than four decades of experience as soundtrack producer and space music composer. He has released more than sixteen Geodesium albums of planetarium space music.
In 2015, Mark created FULLDOME OnDemand, the world's first fulldome rental/streaming service. From 2017 to 2025, he ran the VR Dome Theater, to bring the fulldome theater experience to the masses in spherical-video form for VR headsets.
Mark's degree is in Music Education from the University of Colorado. In 1975, he became the Composer-in-Residence at Boulder's Fiske Planetarium. After many pleased planetarium patrons requested the music they had heard during the programs, Mark released the first of a series of albums using the nom-de-plume Geodesium — a name now synonymous with planetarium music. Tens of thousands of his albums have been sold around the world, receiving airplay on syndicated radio programs such as "Music From The Hearts of Space", "Musical Starstreams" and "Echoes". In 1995, CNN's "Showbiz Today" featured Mark in a segment on planetarium space music.
Mark also created original music and custom soundtracks for major planetaria, Sky-Skan, Evans & Sutherland, NASA News Net's coverage of the Voyager encounters, and video press and Web releases as well as the popular exhibit "ViewSpace" from the Space Telescope Science Institute. For Caedmon Records, he produced a 20-minute "Comet Halley" soundtrack for worldwide distribution. Occasionally over the years, he has taken his keyboards on the road, performing in live planetarium concerts in the U.S. and the U.K. Mark has also worked with advertising agencies, film, video, and multi-image producers on radio and TV commercials, jingles and other projects.
Mark produced the video program "HUBBLE: Report From Orbit", which was awarded First Prize in the Casa de las Ciencias (La Coruña, Spain) Sixth Contest for Science Publications in 1993.
Mark served as President as well as Secretary/Treasurer of the Rocky Mountain Planetarium Association (1983-1987), and instituted the publication of its quarterly journal, the High Altitude Observer. A Fellow of the International Planetarium Society, he was elected Treasurer and Membership Chairman, and served on the Executive Council from 1985 to 1990. He personally undertook the development and annual publication of the IPS Directory of Planetaria and Planetarians.
Carolyn Collins Petersen is CEO of Loch Ness Productions.
She is an award-winning science writer with more than two dozen Loch Ness Productions shows and eight books to her credit and is responsible for show development, editing and writing contracts, and other outreach services for Loch Ness Productions clients. Carolyn has also created shows for major planetaria across the U.S. including the 2016 production of Edge of Darkness for Evans & Sutherland. Her most recent fulldome show is EXOPLANETS - Discovering New Worlds, which she wrote, narrated, and co-produced.
In 2014, Carolyn narrated and co-produced the show Losing the Dark, a joint production with the International Dark-Sky Association. Over the years, Carolyn has acted as technical and content consultant for shows from such producers as Albedo Fulldome and Creative Planet.
Exhibitions
In recent years, Carolyn has also been involved in planning and writing several major science exhibits projects in the U.S. and Asia. These include:
• Shanghai Astronomical Museum, entire exhibits collection
• "History of Exploration", NASA JPL Von Kármán Visitor Center
• "California's Altered State", California Academy of Sciences exhibit on climate change
• Griffith Observatory's entire exhibits collection
• "Electricity and Magnetism", Acton Children's Museum
Web-based Productions and Animations
From 2007-2010, Carolyn wrote and co-produced a nine-part vodcast series titled Space Weather FX for a NASA-funded program with MIT Haystack Observatory.
From 2008-2010, Carolyn wrote and co-produced a vodcast series titled Astronomy Behind the Headlines for a grant-funded program through the Astronomical Society of the Pacific.
From 2008 to 2014, Carolyn served as associate producer for AstroCast.TV, an online video magazine focused on astronomy and space science topics. She created segments called Our Night Sky and The Astronomer's Universe on a monthly and bimonthly basis. In 2009, she wrote and produced a 10-minute video program about the Murchison Widefield Array. In addition, Carolyn wrote and narrated a series of scripts for animations inside Seeker and TheSky, astronomy software programs created and produced by Software Bisque.
Observatories and Outreach
Carolyn served as Associate Editor of GeminiFocus from 2002-2012 published by Gemini Observatory and worked with the National Astronomy Observatory of Japan's Subaru Telescope in Hawai'i.
Carolyn is an accomplished public speaker, and appeared on behalf of Smithsonian Travels on more than 35 selected cruise ships and land-based expeditions. She made presentations on planetarium outreach at several symposia, including the semi-annual Communicating Astronomy to the Public meetings, as well as the 2006 International Planetarium Society conference in Australia.
On the Web, Carolyn is proprietor of TheSpacewriter.com, and The Spacewriter's Ramblings, a blog about astronomy, science, and related subjects. You can see more about her various projects here.
Post-Graduate Career
From 1997 through 2000, Carolyn served at Sky Publishing Corporation, as Editor of Books & Products, Editor of SkyWatch magazine, and Associate Editor of Sky & Telescope magazine.
Carolyn's published articles have appeared YahooNews, in The Radcliffe Quarterly, as well as Sky & Telescope, SkyWatch, Astronomy, and Stardate magazines. In addition, her work has been showcased in MIT's TechTalk. Her submissions to the Griffith Observatory/Hughes Aircraft science writing contest won First Place in 1992 and Honorable Mention in 1995. Her 1985 article for The Denver Post, "The Lightning Makers," was selected as one of the 100 best science stories of that year. In 1988, she wrote Jupiter, for a children's book series called Exploration of Space, published by Facts on File. She was also an invited contributor to the Van Nostrand Reinhold Encyclopedia of Astronomy and Astrophysics.
Education and Memberships
Carolyn earned a masters' degree in journalism and mass communications from the University of Colorado — Boulder, where she was a Professional Research Associate with the Hubble Space Telescope's Goddard High Resolution Spectrograph team at the Laboratory for Atmospheric and Space Physics. She also coordinated observations for the Ulysses Comet Watch project.
Carolyn is director emeritus of the Immersive Media Entertainment, Research, Science & Arts (IMERSA) organization. She is also a member of the Jackson Wild Collective, a wildlife and science filmmaking organization and has served as a judge for several of its film festivals.
Carolyn served as the Publications Chair for the International Planetarium Society (1985-1990) and is an IPS Fellow. While on IPS Council, she spearheaded a major redesign and redirection of The Planetarian, and worked to produce several guidebooks written by planetarium professionals. She is a former President of the Rocky Mountain Planetarium Association (1987-1989) and served as its first Newsletter Editor. She has taught workshops on planetarium script writing and science writing at planetarium conferences; at Williams College in Williamstown, Massachusetts; and led three writing workshops at the University of Massachusetts — Lowell's annual Women in Science and Engineering Days. In 1993, she was elected to membership in Kappa Tau Alpha, the national journalism honorary society.
Carolyn is a member of the American Astronomical Society and the National Association of Science Writers.